some cool articles on CNET the past day or so on the upcoming movie – release the dadburn thing already!!!!

candybowl

John Callahan passed away earlier this week. He was a true Pacific Northwest original – a twisted cartoonist that made the most of his self-created situation (he became quadriplegic from a drunk-driving car accident when he was only 21 and was in a wheelchair the rest of his life). While his cartoons were an acquired taste for some (and generated lots of funny – largely to fans like me – hate mail from others) he definitely had a unique take on life, and wasn’t afraid to spend a lot of political capital making fun of anyone, including even the disabled community (who often supported him stronger than the non-disabled).

Some examples of his humor are here. A few obits here, here, here and here.

And you can get his books at Powell’s – where else?

You will be MISSED – R.I.P.

candybowl

They are loose in Kirkland, WA and the greater Seattle area! I met their creators last night at the local ASIFA meeting and got to see the pilot DVD while quaffing a few at St. Andrews Pub – (Scottish pub of course, complete with pics of Rod Stewart and Sean Connery (same one twice?) on the wall – but where’s Jackie Stewart for the trifecta)?

Anyway, great stuff – The Ninjas are kind of a mix of Jackie Chan, Samurai Jack and Mike Myers’ dad in So I Married an Axe Murderer – and they fight EEEEEvil villains!

Check out their site and keep an eye out for them at a film festival near you!

Scottish Ninjas website

candybowl

As seen elsewhere on this blog, i’ve become a fan of anime in the past several years. I think there’s several reasons:

a) I’ve always liked animation, whether movies, TV cartoons, and in many cases, even ads;

b) the diversity of animation just keeps on getting better and more interesting, even if increasingly computer-based. Of course, just as seen in video games over the past 15-20 years, there is no substitute for actual plot, good writing and coherent themes with good character development. The best looking animation(s) can still end up boring and predictive without them (yes, Appleseed Ex Machina – I’m talking to you!);

c) I think in part anime is also interesting because so often the characters are written in a more over-the-top sensibility (certainly every Initial D episode i’ve ever seen qualifies on that score, but many others are right behind) and often have characters act as if they are in ‘life or death’ struggles (which in many cases isn’t true, but they act that way anyway).

d) Anime just has a different take on things. It’s not usually glorified sitcom situations or plots (at least not the anime I watch) and often has crazy inclusions for characters (Poipodor in Mars Daybreak comes to mind) or fantastical futures that all but make no sense (IGPX) but somehow still manage to entertain.

Which brings me to Initial D. This is an anime series about a school kid living in Gunma province in northern Japan, whose father runs a tofu shop and is an ex-street racer. The father, Bunta, subtly encourages this trait in his only son by having him deliver tofu to several accounts in the early morning over a mountain pass. The kid, Takumi Fujiwara, is fairly dense but seems to have a talent for racing and surprises older 20-somethings who race more seriously. In the first several series, we see Takumi’s talents develop until he’s the equal or better of most other racers in the area and beyond. In Stage 4, ‘Project D’ – he’s now become part of a traveling race team led by a former rival, Ryosuke Takahashi, who dreams of conquering japan’s many mountains and street racing teams with his brother Keisuke and Takumi as the two ace racers on the Project D team. They travel around Japan, challenging team after team in tough and varied races.

What’s appealing about this series is as mentioned before – the characters take themselves VERY seriously, which in some cases comes across as laughable but endearing in a way. You’d think the world would end if this kid doesn’t win a given race by the way they act in posturing against each other up to and during each race.

Also cool is simply the thought of blasting down mountain roads in souped up cars at clearly WAY illegal speeds – watching it on animation is about the only way i’d ever do THAT – I don’t like driving SLOW on cliffside roads – ask kerewin about that one when we were driving around on Crete or Santorini last fall!

Also amusing is how no matter where they go, everyone (racer-wise, anyway) knows about them and keeps putting the best racers up against them. Yet no cops ever show up to THROW THEM IN JAIL for such blatant mountain-racing at nearly every mountain pass they encounter? This was amusing in Wangan Midnight too – although in that series they are largely blasting around highways IN THE CITY at ridiculous speeds but also apparently immune to police (or at least, invisible)?

Anyway, Initial D is pretty entertaining – don’t expect detailed character development or much valid social commentary – it’s pretty focused on one thing, blasting down mountain roads in the middle of the night. But it does a good job of handling that story over and over. Hoping there will ultimately be a Stage 5, but time will tell…..

candybowl

Saw TS3 this past Sunday. This is a great movie – and like the last Pixar movie we saw – yet another tearjerker in at least two places! I won’t spoil the plot, but suffice it to say there yet more twists ahead for Woody & crew, although I was able to predict the end about 2/3 of the way in.

Like most other Pixar movies, TS3 is a nice blend of silly and adult humor – not quite as many pop-culture references this time around, but still a solid plot and the characters continued to develop from last time around. About the only thing(s) missing (OK, slight spoilers ahead) were a bigger role for my favorite unspeaking character in the 3 TS movies and Kelsey Grammer from the last one – he always plays a great villain. The outtakes at the end with Zurg arriving at the daycare were pretty amusing too.

I’m glad they made this movie – and I’m pretty sure it’s the last one – which is also fine. And this probably has to be one of the few (if not the only) series of movie sequels that actually worked as well as the original? GF3 was sheite, after all – were there any other sequels that worked as of the 3rd movie? And NO, Police Academy was arguably lame the FIRST time out of the gate (sorry Bobcat, love ya!)

go see it!

candybowl

It’s no secret Pixar makes great movies. Even their ‘mediocre‘ movies (by Pixar standards) are still a notch above regular theater fare these days. But there are a few that really stand out – both of Brad Bird‘s movies – The Incredibles and Ratatouille, certainly qualify.

Just watched Ratatouille again last night – what an enjoyable movie. The animation is yet again excellent (witness the ‘Remy goes down the sewage pipe on the cookbook’ sequence) – the characters are well-developed, and as per usual, there are a few surprises along the way.

As everyone likely knows by now, Ratatouille is the story of Remy the (country) rat in France who dreams of being a foodie and cook, despite the challenge of (in reality) being a garbage-eating rat. He makes it to Paris by virtue of a local kerfuffle created by himself and his brother Emile, and shortly connects with a poor ‘garbage boy’ simply trying to survive as a janitor in a formerly 4-star restaurant on its downhill slide. The result is a great story, with all the typical Pixar goodness to go with it.

Fave scenes and actors/characters – Peter O’Toole as the kingmaking, snobby food critic Anton Ego; Janeane Garafolo/Colette explaining (through the expert use of BIG knives) how to get ahead as a female French chef; the method used to prep Remy’s rat clan to help in the kitchen; and most of all, when Anton Ego tastes the ratatouille served him (special mention: his review of the food the next morning).

Like all Pixar movies, there are so many little nice touches along the way, it would be tough to list them all (and that’s part of the fun of rewatching them anyway). But one comes to mind, anyway – the ridiculous amount of old Citroen’s and 2CV’s driving around on the streets – I’m sure there are still a lot of them, but like vintage Beetles in the USA – they are getting a lot fewer and far between these days – sad…

One last comment – something I also really like about Pixar is that they aren’t afraid to have true emotion in their movies. The recent Up being a classic example – the montage where Ed Asner’s character’s life is shown in fast-forward review – VERY sad! Or in both Toy Story movies, there are nostalgic looks back via Randy Newman music in the background – again, definitely a human perspective. In Ratatouille, the scene with Remy’s dad showing him WHY humans are a dangerous lot to tangle with – pretty disturbing – but also why these movies are for the whole family, not just kids and not just adults. Well done, guys.

Anyway, watch and enjoy!

candybowl

I’m not watching any other trailers for this. I’m just glad they made a sequel! Dec. 17 2010, welcome to Cinerama…….

candybowl

So finally saw Speed Racer (the 2008 live-action version, not the original 60s anime) tonight. When this movie came out, I was definitely interested in seeing it, but then many reviews were middling to bad, so I didn’t. The Wachowskis are somwhat polarizing filmmakers these days, and have a lot to live up to (and live down) after the Matrix series went from excellent (1st) to good (2nd) to somewhat mediocre (3rd). But V for Vendetta was also excellent (IMHO), so whatevs – most other filmmakers would be completely jealous to have only a *couple* of those movies in their CV, after all.

Anyway, this movie takes in a lot of the original anime’s plot devices (yes, Chim-Chim is here) and I was definitely pleased to see a scene where they go through all the Mach 5’s special devices (but they never used the Ctrl-G ‘Homing Bird’? They used to use that all the time in the anime!). Racer X of course is key to the plot, and he doesn’t disappoint, either. The look of the cars varies from ‘shiny Hot Wheels surrounded by CGI’ to semi-real looking (when the humans are in them or driving them on “normal” streets).

The movie itself owes a LOT to Pixar (Monsters, Inc and The Incredibles most notably for the factory scenes and the Racer family neighboorhood/house/school/etc.). It also definitely takes from at least two PS2 videogames I own – Kinetica (robot battle-racing) and XG3: Extreme-G Racing (hyper-powered motorcycles with weapons) – both games are played on crazy tracks that soar up/down/multiple dimensions/aerial/underwater/you name it. Props must also be given to drift racing/dirt track racing in general (given the way they drive the cars almost horizontally a lot of the time) and the old standby – Initial D, which I’m sure the Wachowskis have watched at least most of. In the big rally race mid-movie, some of those crazy mountain races look a LOT like the way Initial D shows its crazy mountain racing (the latter’s animation being far more primitive, however).

Finally, there is a lot of IGPX here too (a recent anime from 2005) in the look and feel of the racetracks, especially the Fuji race – and the battling between the cars during the race.

As you’d expect, the races themselves are very well done and crazy to watch, and the movie doesn’t try to oversell the characters, either – unlike the mostly cheesy Racer family seen in the anime. I would say the Racers are as appropriate for the story as The Matrix’ characters – without the speechmaking every 15 minutes by Morpheus of course :). What was a bit sad was that actor Emile Hirsch (who plays Speed) was BORN the same year I graduated from high school – DOH! I guess you can’t win them all. The usual anime ‘challenges’ confront Speed and the rest to varying degrees – *almost* insurmountable odds, increasingly maniacal opponents, crisis-whew-bigger-crisis-whew, etc. – But it moves along fairly well and has a bit of fun even with camera asides in a few tiny scenes.

In summary, I was far more entertained by this movie than say, Avatar – even though the latter is of course way more advanced effects-wise. Even having seen some of the SR anime before as a kid (probably 30+ years ago) didn’t really spoil anything. This is a great movie, and i’d definitely see it again on the big screen (Cinerama or midnight movie at The Egyptian, anyone?) I watched it this time at home on my computer……

candybowl

more LEGO video fun – these are all music videos – but surprisingly, they missed The White Stripes one (see earlier post)?

enjoy…

candybowl

So I finally watched Akira recently. This is one of the anime movies that started it all, way back in 1988. It shares many (now) typical anime plot devices (angry head cop going-it-alone against the system, devil-may-care central characters that live (and often die) completely in the moment, a post-apocalpytic Neo-Tokyo that has more than one section of the city living in all but anarchy, subtle yet pervasive technology throughout everything the characters see and experience, etc.) – many of these themes, however, originated in *this* movie, so small wonder these influences persist to this day – Akira is by far among the best anime I’ve seen to date.

Like the first Ghost In The Shell movie, this one doesn’t seem to have any CGI in it – given that TRON and The Last Starfighter weren’t too many years before this movie, the lack of CGI (or, CGI integrated into anime) isn’t very surprising. The scenery and drawings are fairly impressive with a meticulous attention to detail, and the characters are drawn with a wide range of emotion throughout.

There are definite external inspirations within Akira in turn. The super-bikes all the main biker gang characters own are obviously influenced by the TRON light-cycles (and 80s ‘crotch rocket’ street bikes from the real world of the same era). And there has to be a shout-out given to Escape From New York (and similar but far cheesier early 70s post-apocalyptic sci-fi) as influential upon the burned-out city in Neo-Tokyo.

Without revealing very much – essentially one of the main biker-gang members, Tetsuo, is inadvertently exposed to a mutant on the run from a secret army agency. This exposure (of course) begins to create powers in this kid and one can begin to predict what happens next – although it’s still not near as predictable as you might think, and just when you think the movie is ending, another plot twist moves in another direction – nice!

To repeat, definitely one of the best anime I’ve seen yet – others have amazing animation/CGI but largely flat characters (Appleseed); interesting stories that sadly create inherent plot contradictions over time that aren’t resolved (Witch Hunter Robin); or very simplistic (but fairly entertaining) plots in a completely fantastical setting (Mars Daybreak – all hail talking Belugas!). Akira stands way above all of those – if you only ever see one anime – make it this one.

candybowl