“the world needs Iron Maiden” – and yes, we DO.

candybowl

I have had an AmigaOne gathering dust next to my desk for several years now, and the last time I tried to fire it up, nothing happened – I suspect the power supply is bad. But after reading this, I may have to try again…..while I usually use Fedora most days, it’s certainly not by choice. Linux’s saving grace is that it isn’t Windows, although Win7 is light-years ahead of all the abuse in the past, despite now being two versions behind itself?! 🙂 MacOS I tolerate as always but am also several versions back on that one too – and that’s just fine by me…

The A-EON Amiga X5000: An alternate universe where the Amiga platform never died

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we had (literally) nosebleed seats that summer when the reunion tour hit Key Arena (as the YT notes show, 7 years *after* this VH1 show), but it was definitely worth it to see one of my all-time fave bands…

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amazing tribute from earlier this summer following KE’s passing…..

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I get scared just watching this, especially the part near the top where he’s shading his eyes in the direct sun – yipes!

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…the van is back, and it’s gonna cause some trouble! hey now, hey now, the van is back!

Borrowed the Screaming for Vengeance 30th anniversary CD from the library, and there was a surprise in there – a second disc, a DVD with JP’s set from the 1983 US Festival in California.

For those of you not older than dirt, the US Festival was put on by Steve Wozinak as a ‘feel good’ massive music festival for two years in a row. It lost tons of money both years, the second year had a ‘metal day’ – added because may have been the only moneymaker, IMHO (and from reading articles about it back then) – and JP was one of the main acts, so watching this DVD was definitely a trip down memory lane (I was a sophmore in high school at the time).

So they start their set and the two guitarists come out – JP’s constantly changing drummer and bassist had to have been the source of the Spinal Tap joke about the exploding drummer – Glenn Tipton is shown chugging a Heineken just before he comes out, and KK Downing is wearing what look like female biker go-go boots – of course.

Then, as the strains of ‘The Hellion’ finish and they launch into Electric Eye, Rob Halford is heard, but not seen, quite yet. Then he marches onstage to massive cheers, and he’s wearing his ‘Goth King of the Village People’ outfit – mirrored aviators, leather and spikes ‘everything’, bullwhip, massive skull belt buckle and boots of his own. Next to these two, Glenn Tipton looks pretty tame, with only red stretch pants, open shirt and classic 80s “feathered rocker hair”.

And away they rock. Pretty good set, if what seems to be largely a set of hits only, but still pretty good, they play tight, and try to rile up the crowd, although it’s obvious that crowd is WAY too big to communicate with very much, and the stage is set back considerably from the crowd with massive security and camerapeople anyway.

Then of course near the end of the set, Rob Halford bursts through the center Marshall stack and ‘rides’ their Harley slowly onstage, revving the crap out of it. I never saw JP back in the day, only just a few years ago at White River locally, and I don’t remember them bothering with the Harley – at our show Rob Halford was too busy with costume changes anyway. 🙂 So then RH lays out on the front chopper wheel, and away they go with Hell Bent for Leather 🙂

It’s probably the perspective of time (or just getting old) but despite obvious musical talent, this is still pretty cheesy. Although the actual music video (embedded below) for ‘Breaking the Law’ is the epitome of cheese, especially when Beavis and Butthead were making fun of it (couldn’t find that sadly). But in fairness to the band, something i just read seemed to indicate they made the video somewhat tongue in cheek anyway 🙂

…to the Metal Gods!

candybowl

SPOILER – watch the trailer first

This is an interesting concept for a C&H movie, that will of course never get made (at least while Bill Watterson is still alive, anyway) – except – that I believe it leaves behind a key essential point (if not THE essential point) of C&H – tragic comedy.

Throughout the comic, we are always confronted by Calvin’s underlying struggle to fit in, while his personality, likes and dislikes and the fact that he’s six, serve to nearly always defeat him to varying degrees. Yes, for the most part his parents never step in, and Suzie tries early on, but figures him out pretty quick and then just tolerates him after that.

So Hobbes is all that’s left – and while he proves a true friend time and time again no matter what Calvin does – and he’s not always an unforgiving one – he’s in the end a figment of Calvin’s imagination – or possibly a projection of what Calvin knows he could be – but doesn’t really want to.

Just turning it into a psycho-pseudo horror story (scary or not) misses the comedy (which brings back the reader, strip after strip, despite the comedy usually being at Calvin’s expense) and only tells one part of Calvin’s complexity. Having read several Bill Watterson interviews, one thing he says several times is that he expected Calvin might have a tough adulthood, when his preferred lifestyle was going to evaporate right before his eyes and likely make him pretty sad. Maybe so – but even if Calvin got past that, I don’t think his imagination would consume him in the end – I think he might just lose it – which could be even worse, really….. 🙁

candybowl

RIP – you were a class act, and oh, so very drolllll….! 🙂

Sir Roger Moore dies aged 89

alltime fave Bond car…and villain!

starts slow but good finish…

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just finished this book, Alex & Me – very interesting read. here’s a short video of what the book is about – Alex, the amazing African Grey parrot! Sadly he passed away in 2007, but his legacy and insights learned from his ‘birdbrain’ – live on.

Alex also made an appearance on Scientific American Frontiers and met Alan Alda – watch the whole episode here. You can fast forward to about 9:59 if you want to just watch Alex.

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