A Wrinkle in Time….sigh.
Thu ,14/06/2018Earlier this week, kerewin and I checked out A Wrinkle in Time. I had wanted to see this, then when it came out and the reviews weren’t good, I was a bit sad, but still wanted to see it anyway.
Because to me, the original book is very much of my time (came out in the early 60’s, I was born in the late 60’s), it’s not a very conventional book by any means (besides being sci-fi to begin with) and I’ve always considered it one of my key early books that got me really interested in the genre generally.
I think for me the key appeal of the story is that it takes fairly heavy subject matter (the never-ending struggle between good and evil, right and wrong, tough social situations and family struggles) and doesn’t talk down to the reader, despite being a kid’s book in the end. Even re-reading it a couple years ago on a whim, it’s still a good (if now much quicker) read, has respect for its characters and tells a good story – the key criteria above all.
So it’s clear why Hollywood would have a problem making a movie based on this story, and my initial take on the movie is that they made a decent try at it. I liked the new approach of an African-American girl in L.A. – her younger brother is possibly even *more* precocious than the Charles Wallace of the book (who was pretty far along on his own), and the star power of Reese Witherspoon, Oprah, Mindy Kaling, Chris Pine and Zach Galifinakis really doesn’t get in the way in the end, BUT….
1) they give short shrift to the main plot – they focus too long on Meg’s school problems and not long enough on the other aspects once they tesser to Uriel, Camazotz, finding Chris Pine (the dad) and then back – happens way too quickly and without enough dialog, at minimum.
2) they completely skip the whole Ixchel sequence (when they tesser out originally with their father and Meg is damaged by IT in doing so, and then she has to go back in, all alone, to rescue Charles Wallace). This is a critical part of the book that shows Meg at her most vulnerable, then launches her back into chaos (Camazotz again) and she learns an important lesson about herself and her inner strength. Because the movie skips this entire sequence, we go from an abortive ‘father rescue’ right to rescuing Charles Wallace – more plot thinning, as it were.
3) there are too many ‘musical segue’ sequences that play like a music video interlude between dramatic scenes. There are at least three and they really just waste screen time that could have been devoted to plot or character dialog…
4) Camazotz far more resembles ‘CGI Dagobah’ than the scary planet depicted in the book. While they start with the kids bouncing the ball in the neighborhood, they quickly blow that off and all of a sudden we have already rescued Chris Pine? Again, far too quickly and thins out the plot yet again.
5) And there is no ‘IT’ in this movie?! Arguably the scariest part of the book in many ways, at best, IT is depicted through a dark, hardly speaking voice while Meg and Charles Wallace scramble around in what looks like a modern version of Yoda’s summer home – Just not scary? And the ‘evil’ is largely depicted as Charles Wallace yelling at or scolding Meg. While it’s possible that the ‘disembodied oversized brain’ of IT in the book may not work cinematically these days – it’s still better than a not-scary root forest with some weird voice in the background? Plus, they keep calling IT ‘The IT’ – as if IT is a piece of evil furniture? Doesn’t work.
6) I saw part of an earlier 2003 adaptation of the book, most namely the first IT sequence – and while there they left out the ‘brain’ too – it is much creepier and weird, arguably truer to the book. I may now need to check out this earlier film just to see the differences.
Anyway, mixed bag, ultimately disappointing but I give them props for trying….
candybowl