Yeah, it’s viral for good reason – wow. For those too scared, watch the fake Simpsons Mr. Sparkle ad below instead…. 🙂

candybowl

One of the great ones has passed on.  Hopefully a stack of right-wing literature (maybe even with the authors) can be burned at 451 degrees in his honor……:)

R.I.P.

Seattle Times

GeekWire

BoingBoing

– candybowl

At least a year or more ago, I read Ira Levin’s The Boys from Brazil.  This is an interesting thriller with a somewhat ridiculous plot – Joseph Mengele and other escaped Nazis living in South America carry out a sinister experiment to clone a bunch of ‘baby Hitlers’ based on saved cells he had obtained from Hitler during the war.  Then when old enough, the babies are farmed out to foster parents in the USA and Europe with similar background demographics to that of Hitler’s original parents, and monitored to attempt to duplicate AH’s upbringing as much as possible to bring about the desired result (Hitler rises again to power and brings back Nazi control, of the world this time around).

A movie was made of this book in 1978, starring Gregory Peck, Lawrence Olivier and James Mason.  While naturally the movie cuts some of the details a bit short, it’s an entertaining view.  Other actors include a VERY young Steve Gutenberg as a cub reporter monitoring the Nazis in Paraguay; the familiar Walter Gotell (played the Russian spy boss in several Roger Moore James Bond films); Denholm Elliott (may remember him as Dan Ackyroyd’s butler in Trading Places, among his many other films, including at least a couple of the Indiana Jones movies).

IMHO Gregory Peck is the main reason to watch this movie.  Not only is he playing against type (here he’s the E-VIL arch villain, normally he’s the good guy everyone roots for) he goes for broke in playing the character, probably not unlike the real Mengele (who apparently was still alive in South America when this movie premiered in the theaters).  There are a number of scenes where he all but loses it (or DOES lose it) and goes apes*** – great fun and way over the top.

I thought Laurence Olivier was good too, but while he’s the good guy nazi-hunter, his character is a bit whiny and somewhat annoying – maybe that’s the way the real Simon Wiesenthal was?  Not sure.

It was also fairly surreal to see Bruno Ganz in this movie as a minor character in this movie – given that much more recently he played Hitler himself in Downfall, and of course starred in all those ridiculous ‘Hitler meme’ videos on YouTube as a result.

It’s always interesting to watch ‘alternative history’ movies generally (unless they really suck acting-wise or just present way too lame a plot premise) – this one doesn’t disappoint.

Other views:

Rotten Tomatoes

FeoAmante

candybowl

Give rise to MUPPET Wicker Man! Based on the original 1973 movie, of course, NOT the craptastically horrible nic Cage remake (NO link will be provided to that one!)

The online MWM comic is here: link

the ‘trailer’ is here:

enjoy!

candybowl

So while my wife was stuck working yesterday, I watched 1982’s The Thing – yep, another John Carpenter movie. While I’m not much of a horror movie guy – this one, being just as much about sci-fi in most ways, is a bit of an exception.

So a few interesting trivia – the movie is a remake of a 50’s monster movie by the same name. But here, the story is much closer to the original short story by John W. Campbell – ‘Who Goes There?’ But if you’ve read any HP Lovecraft, you will recognize Campbell’s story as being more than a bit derivative of his novella ‘At The Mountains of Madness‘. And fans of the X-Files (1st movie) will also remember a flying saucer in the Antarctic at one point in one of the movies also – not sure whether inspired by any of these stories/movies or not, but it’s there.

Finally, the most silly far-fetched reference I can think of is in Godzilla: Final Wars, where at the start of the movie an advanced submarine about to be destroyed by Godzilla ‘buries’ him far beneath the ice by blowing up an ice cliff over his head – later in the movie they are forced to blow him out of there to save Earth (because in the meantime, aliens have taken over all the other crazy Kaiju monsters and now seek control of mankind, too). Of course, Godzilla literally ‘walks’ (ocean depths notwithstanding) to all these various cities on different continents, defeats the other monsters, then helps a crazy team of Japanese kung-fu mutants (led by an even more ridiculous American soldier who looks like the white trash cousin of GI Joe) defeat the aliens and save earth.

But back to The Thing – this movie’s closer adherence to the John Campbell story means far more gore and tougher special effects than the 50s movie. At one point a guy’s head melts off and turns into a spider to run away – great stuff! Basically a shapeshifter alien infiltrates an American Antarctic research base and begins killing/imitating everyone – the Americans start to fight back, led by Kurt Russell, but it’s a tough battle. Wilfred Brimley (who now largely sells life insurance on tv) is the scientist who figures out what’s going on (but then weird stuff happens).

If you haven’t seen this movie, rent it sometime – but not for kids, definitely – unless you want to be up all night with them crying. The cast is great and the atmosphere of the flick really creates a sense of what it would be like to be isolated in a research base like that while being stalked by a killer – who could look like anyone!

oh and yes, Merry Christmas! 🙂

candybowl

(Re)watched the ancient sci-fi classic WestWorld late last night. It was shorter than I remember (in other words gets to the killing spree/chase scenes/etc. faster than I remembered), but definitely some classic performances in there, most notably Yul Brynner in the title role as The Gunslinger.

Since this is an old movie, even for me (in 1973, I was 6) let’s recap – a very expensive ($1,000/day), exotic resort (Delos) opens up in a distant desert (they never say where, but looks like the American Southwest), where there are three distinct ‘worlds’ people can visit – Roman World, Medieval World, and West(ern) World – each is tailored to fulfull guest fantasies based on advanced robots to cater to their every whim, within the theme of each ‘world’. In an early part of the film, an announcer talks about enjoying the ‘relaxed morality of earlier Roman times’ (meaning guilt-free sex with lifelike robots, let’s be clear here 🙂 ) And this is consistent with the other ‘worlds’ – the main two characters (james Brolin and Richard Benjamin) visit WestWorld (and at least one brothel therein). Then, things subtly start to go wrong, and mayhem ensues in a variety of ways.

So, this is a pioneering and influential sci-fi film in many ways. It is very well made for its time, obviously a bigger budget than some of its contemporaries (yeah, Omega Man, i’m talking to you). The decor, sets and computers/effects are spartan, but still look decent, and unlike many sci-fi movies, don’t get in the way of the plot. Not on the level of the earlier 2001: A Space Odyssey – but almost NO movies (sci-fi or otherwise) compare to that one even now.

WW has to be considered one of the first ‘relentless, unyielding stalking killer’ movies – Yul Brynner’s Gunslinger – used to great effect many times later in countless horror movies but also every Terminator movie ever made, elements of The Matrix movies, etc. Even Javier Bardem in No Country for Old Men is reminiscent of this theme (and also very scary). In WW, this may be considered more remarkable because The Gunslinger stalks Richard Benjamin throughout the day – never at night – so his power over the intended victim grows not through cheap special effects or misdirection, but ultimately on the strong, almost silent performance of Yul Brynner (who hardly has more than maybe 3-4 sentences of dialog in the whole movie).

WW’s story also builds one of the earliest ‘no matter how perfect our technology gets, it will get us in the end’ themes – and does it about as subtly as the 16-ton weight from the classic Monty Python sketch. But the early ’70s was definitely a time of ‘man is doomed’ themed-sci-fi movies (Soylent Green, the earlier Omega Man, Silent Running, etc.) so not really surprising in hindsight.

Another thing that struck me this time around has to be the interaction between the resort guests and the robots who serve them. At one point after a barroom shootout, James Brolin remarks about ‘the beauty of the place is you never know if it’s real’ (or words to that effect). The guests feel free to just shoot the place up, start bar brawls, have sword battles (in effect act like a pillaging pirate – no Pirate World? :)) etc. – and let someone else pick up the pieces. I guess at $1,000/day, i’d expect the same – but it’s interesting how easily they just slot into it and tear it up with no consequences (well, that was the Delos sales pitch anyway). Given that the director/screenwriter was Michael Crichton – author of this theme many times over (The Andromeda Strain, Jurassic Park, etc.) again, not a big surprise.

Stepping back (to a soapbox) it’s also interesting here is that despite continually warning us of the dangers of technology and how we overreach ourselves far too often in his books and films – MC was one of the biggest global warming deniers on the planet, right up there with Big Oil and James Inhofe! Like Mel Gibson of recent past, MC shows that many times in Hollywood – appearances can be VERY deceiving. Was he having fun at our expense on either side of the issue? I’ll have to look around to see if anyone ever asked him that question – he’s dead now (2008) so we may never know. End soapbox.

All symbolism and soapboxes aside – WestWorld is still an entertaining movie despite being now almost 40 years old. Yul Brynner makes the movie for me – without him, i don’t think WW would have been near as effective – his Gunslinger really is a Hollywood icon, sci-fi or otherwise.

candybowl

Pretty d*** cool – if you haven’t ever read him – he was one of the ‘big three’ way back in Weird Tales days – the other two (better known than CAS) were H.P. Lovecraft (Cthulhu sushi, anyone? Tastes better than Soylent Green! :)) and Robert E. Howard (creator of Conan the Barbarian).

I had never heard of CAS myself until reading Stephen King’s ‘Different Seasons’ many many years ago – Different Seasons is really four novellas, the first 3 of which have since been made into movies – bu the fourth story – ‘The Breathing Method‘ – has not. If you’ve read it, you probably know why. But several times through the story King references CAS alien landscapes and settings, which got me interested in finding some stories to read.

Given no convenient ‘internets’ to check out at the time – I went to the next best thing – Powell’s Books – which actually had some used paperbacks (imagine that) – CAS is often as hard to find on the stacks as Philip K. Dick and for a while there, I was thinking CAS was harder to find than Kilgore Trout books. But, thankfully other fans exist out there too and besides the existing paperbacks here and there, a few hardback story collections have been put together. CAS didn’t write novels – only short stories and poetry.

Anyway, check out some of the stories here and enjoy – after which you may be ready to find a copy of The City of the Singing Flame all your own…..

candybowl