(Re)watched the ancient sci-fi classic WestWorld late last night. It was shorter than I remember (in other words gets to the killing spree/chase scenes/etc. faster than I remembered), but definitely some classic performances in there, most notably Yul Brynner in the title role as The Gunslinger.
Since this is an old movie, even for me (in 1973, I was 6) let’s recap – a very expensive ($1,000/day), exotic resort (Delos) opens up in a distant desert (they never say where, but looks like the American Southwest), where there are three distinct ‘worlds’ people can visit – Roman World, Medieval World, and West(ern) World – each is tailored to fulfull guest fantasies based on advanced robots to cater to their every whim, within the theme of each ‘world’. In an early part of the film, an announcer talks about enjoying the ‘relaxed morality of earlier Roman times’ (meaning guilt-free sex with lifelike robots, let’s be clear here 🙂 ) And this is consistent with the other ‘worlds’ – the main two characters (james Brolin and Richard Benjamin) visit WestWorld (and at least one brothel therein). Then, things subtly start to go wrong, and mayhem ensues in a variety of ways.
So, this is a pioneering and influential sci-fi film in many ways. It is very well made for its time, obviously a bigger budget than some of its contemporaries (yeah, Omega Man, i’m talking to you). The decor, sets and computers/effects are spartan, but still look decent, and unlike many sci-fi movies, don’t get in the way of the plot. Not on the level of the earlier 2001: A Space Odyssey – but almost NO movies (sci-fi or otherwise) compare to that one even now.
WW has to be considered one of the first ‘relentless, unyielding stalking killer’ movies – Yul Brynner’s Gunslinger – used to great effect many times later in countless horror movies but also every Terminator movie ever made, elements of The Matrix movies, etc. Even Javier Bardem in No Country for Old Men is reminiscent of this theme (and also very scary). In WW, this may be considered more remarkable because The Gunslinger stalks Richard Benjamin throughout the day – never at night – so his power over the intended victim grows not through cheap special effects or misdirection, but ultimately on the strong, almost silent performance of Yul Brynner (who hardly has more than maybe 3-4 sentences of dialog in the whole movie).
WW’s story also builds one of the earliest ‘no matter how perfect our technology gets, it will get us in the end’ themes – and does it about as subtly as the 16-ton weight from the classic Monty Python sketch. But the early ’70s was definitely a time of ‘man is doomed’ themed-sci-fi movies (Soylent Green, the earlier Omega Man, Silent Running, etc.) so not really surprising in hindsight.
Another thing that struck me this time around has to be the interaction between the resort guests and the robots who serve them. At one point after a barroom shootout, James Brolin remarks about ‘the beauty of the place is you never know if it’s real’ (or words to that effect). The guests feel free to just shoot the place up, start bar brawls, have sword battles (in effect act like a pillaging pirate – no Pirate World? :)) etc. – and let someone else pick up the pieces. I guess at $1,000/day, i’d expect the same – but it’s interesting how easily they just slot into it and tear it up with no consequences (well, that was the Delos sales pitch anyway). Given that the director/screenwriter was Michael Crichton – author of this theme many times over (The Andromeda Strain, Jurassic Park, etc.) again, not a big surprise.
Stepping back (to a soapbox) it’s also interesting here is that despite continually warning us of the dangers of technology and how we overreach ourselves far too often in his books and films – MC was one of the biggest global warming deniers on the planet, right up there with Big Oil and James Inhofe! Like Mel Gibson of recent past, MC shows that many times in Hollywood – appearances can be VERY deceiving. Was he having fun at our expense on either side of the issue? I’ll have to look around to see if anyone ever asked him that question – he’s dead now (2008) so we may never know. End soapbox.
All symbolism and soapboxes aside – WestWorld is still an entertaining movie despite being now almost 40 years old. Yul Brynner makes the movie for me – without him, i don’t think WW would have been near as effective – his Gunslinger really is a Hollywood icon, sci-fi or otherwise.
candybowl
